Exhibition view　Works of Yoko Matsumoto

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Ueshima Museum Through The Eyes of Yuko Hasegawa: Between Forms and Substance, Ontology and Epistemology

Installation view　Photo: Wataru Murakami

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Surface, Sublime, Annihilate: A Review of Nile Koetting’s “Polyharmony”

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Noma Kyoto (Part 2) - The Second Half of the Course at the Kyoto Pop-up and Comparison with Central in Peru 

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Noma Kyoto (Part 1) - The First Half of the Course at the Kyoto Pop-up

Koji Fukada at the “Wendelien Van Oldenborgh, Unset on-set” (Museum of Contemporary Art Tokyo) Photo by Tokyo Art Beat

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Expression is One’s Feedback to the World: Director Koji Fukada Reviews “Wendelien van Oldenborgh, unset on-set”

View of Yasuo Nomura’s InsideOut 2022 at the exhibition Photo by Shotoku Koh


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Expanding the Framework of “Art”: Cosmology of Yasuo Nomura

Fourteen “novels” against the larger narrative. “Seven/Seven: The Fraught Landscape” Review (by Takuma Ishikawa)

"Botero: Magic in Full Form" at the Bunkamura Museum of Art, Photo: © Alma Reyes

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The Magical Forms of Fernando Botero

"A Mermaid’s Territory—Flags and Internal Organs #003" (2022), Acrylic, pastel and coloured pencil on paper, © BuBu de la Madeleine, Courtesy of Ota Fine Arts

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Self-regeneration in the Mermaid’s World

Ryuji Foujita, Quiet Town, 1997, Private Collection

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Pastoral Redemption, Glimpses of Perfection

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Floral Expressions of Life and Death

Installation View of "I Love Art 16: Vision – Focusing on Drawings by 15 Artists Including Warhol, Beuys, and Paik"; Photo by Alma Reyes

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A Watari-um Trip Through Our Visual-centric Existence

Felice Rix-Ueno, detail of the 1963 mural at Actress, the former restaurant at Nissay Theatre; poster color, aluminum leaf, Japanese paper; University Art Museum, Kyoto City University of Arts; Photo by Alma Reyes

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A Design Fantasy Originating in Vienna

Henri Fantin-Latour, “Still Life (Flowers, Fruits, Wineglass, and Tea Cup)” (1865), Ishibashi Foundation, Artizon Museum, (Photo by Ishibashi Foundation, Artizon Museum)

Henri Fantin-Latour, “Still Life (Flowers, Fruits, Wineglass, and Tea Cup)” (1865)

Chasing the Horizon: 1952-2022

Noritaka Tatehana, “Heel-less Shoes/Lady Pointe” (2004), Cowhide, pig suede, color, glass crystal, satin ribbon, private collection, photo by Gion


Mode Surreal Tatehana

Surrealism in Fashion: Expressions of Bizarre Imagination

"Finnish Design for Everyday Life – Patterns and Forms Inspired by Nature" exhibition hall, Bunkamura (Photo: Yuya Furukawa)

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